The Theban Western Desert

Theban Western Desert and the Expansion of Thebes

The discovery of the Theban Western Desert during the time of the Theban expansion opens up new frontiers to historic and background information of the military unit concerning Stela of Hetepi and Djari. The individuals were officials of the then Wahankh Intef II who worked with Tjetji by the time.

The Impact of Stela of Tjetji

During their period the region experienced great advancement regarding Western art in addition to the expansion of the Eleventh Dynasty. Despite considerable influence from the Memphite, Stela of Tjetji continued to have a significant influence and impact on the development and growth of ancient Egypt. The daily life of the people of the region was characterized by intense growth and development of art, a significant reunification of the kingdom of Mentuhotep II, their grandchild Wahankh Intef II.

The Economic Foundation and Trade

Throughout rulership of the region, the leaders influenced and had a strong economic foundation that pushed their profitability to high levels. It is no doubt that at the time, during the second millennium BC, a period that saw increased economic activities and buildup of a strong foundation of the economy. At the time, trade formed the primary focus and attention of the majority of the people of Ancient Egypt.

The Character and Influence of Stela of Tjetji

Stella of Tjetji utilized the local resources to establish a “monarch” best described as “the first reunification” of art during the period as the brainchild of numerous art initiatives and projects. Stela of Tjetji constituted and formulated the basis upon which the region’s artwork depended. One of the most important aspects of the reign of Stela of Tjetji was the free movement of people and products, a feature that had a remarkable and strong influence on the people’s lifestyle and in particular the development of art[1]. His positive attitude and talk are manifested in numerous ways through and by which the entire script brings forth a true and remarkable personality into his duties and responsibilities. The treasures brought to him are a clear manifestation of the trust and confidence the leader had in him, a way by which the complete and entire time, he is upheld in high esteem. He was no doubt a feared man, revered and accepted all over the lands and places of his control. He believed in the best of his works and treasured all that he kept to the borders of the region[2].

Stela of Tjetji’s Endurance and Control

Up until the last moment, he is considered a hero, a villain and above all a wise and upright individual. As a sign of complete control of his endurance, “Stela of Tjetji” affirms his exhaustive knowledge of the lands and the people’s preference much to the disdain of those around him. He is the manifestation of a strong fortitude, a pillar of strength and above all, a new breath of control in the expansive region under his control.

Expansive Knowledge and Art in the Area

There is no doubt that the information about Stela of Tjetji leads to further expansive knowledge of the art and economic activities of the area. Many and often, the region comes off as an area of immense wealth regarding exhaustive economic activity and vast networks of resources as shown in the historical description of the king’s reign and control. The timeline shown in the period marking Dynasty II offers a descriptive analogy of Tjetji’s immense influence all through the place. The confidence and pride shown in his talks show a servant keen on various aspects of improving the jurisdiction under his control. Overall, it is a clear indicator of the vast information and inkling that Tjetji had within this jurisdiction[3].

The Creative Artwork of Dynasty II

The dynasty of ancient periods in Egypt had skill in making board games, musical instruments, soap, and a host of personal items. It is this remarkable feature that saw the emergence of creative and creative artwork all over the region during the dynasty II. They had vast knowledge on how to create glass by the use of jars, effective medicines, and building skills in addition to various components of household stuff. Older members of the time educated their children on mathematics and writing, a concept seen in the pyramids all over Egypt[4]. Of particular interest is the creative writings that brought forth Stele, drawings, curves, and numerous art on walls and conspicuous places. They made up the very essence of the region, opening up new ventures, new trade, and modern classical that would later make up the unique aspects of Ancient Egypt. Tjetji played a crucial role in the emergence and development of the same in numerous ways. Over the preceding years and centuries, the items and art formed the core aspect of Egypt’s central features[5].

Ancient Egyptians and their Artistic Skills

Ancient Egyptians during the time of Tjetji were skilled workers, builders, and developers. They showed a lot of human resources evident in their large building materials and structures. It is majorly attributed to the vast networks established previously in addition to vast economic activity. For example, the various pyramids showcased their strong and consistent art development. At the same time, Ancient Egypt remains the only region all over the world to develop creative and beautiful tombs that stand to date. Particular emphasis is the development of medicine, sacred objects in addition to mummies who were preserved curatively in well-designed wrappers. Many of, their artwork and carvings still occupy special places in various locations all over Egypt. Ancient Egypt during the Dynasty II continues to hold a special place in the hearts and minds of many within Egypt and far distant places. It has often been billed as one of the most significant museums places with creative art and works[6].

The Role of King Wahankh Intef II and Nakhnebtepnefer III

It is no doubt that King Wahankh Intef II together with his son Nakhnebtepnefer III played a vital role in the development and buildup of Ancient Egypt. During their period as narrated by Tjetji, the two kings played a crucial role in many project development that included the curative artwork known as Statu of Nenkhefta that up to date has its original paint, granite statutes of the Goddess Sakhmet originally from the temple of Mut at Thebes often called “liked cats.” Additional creative artworks include the top Queen Ahmes-Merytamun from the Tempe of Karnak during the 1550BC, commonly known as the King of Amenophis I. Several of the artwork and creative development took place under the watch and guidance of Tjetji. He was strict and played a crucial role in later development and establishment of many artworks.

Bibliography

Darnell, John Coleman, and Deborah Darnell. “New inscriptions of the late first intermediate period from the Theban western desert and the beginnings of the northern expansion of the eleventh dynasty.” Journal of Near Eastern Studies 56, no. 4 (1997): 241-258.

Fischer, Henry G. “An example of Memphite influence in a Theban stela of the Eleventh Dynasty.” Artibus Asiae 22, no. 3 (1959): 240-252.

Garcia, Juan Carlos Moreno. “Trade and Power in Ancient Egypt: Middle Egypt in the Late Third/Early Second Millennium BC.” Journal of Archaeological Research 25, no. 2 (2017): 87-132.

Winlock, Herbert E. “The eleventh Egyptian dynasty.” Journal of Near Eastern Studies 2, no. 4 (1943): 249-283.

[1] Darnell, John Coleman, and Deborah Darnell. “New inscriptions of the late first intermediate period from the Theban western desert and the beginnings of the northern expansion of the eleventh dynasty.” Journal of Near Eastern Studies 56, no. 4 (1997): 241-258.

[2] Winlock, Herbert E. “The eleventh Egyptian dynasty.” Journal of Near Eastern Studies 2, no. 4 (1943): 249-283.

[3] Darnell, John Coleman, and Deborah Darnell. “New inscriptions of the late first intermediate period from the Theban western desert and the beginnings of the northern expansion of the eleventh dynasty.” Journal of Near Eastern Studies 56, no. 4 (1997): 241-258.

[4] Garcia, Juan Carlos Moreno. “Trade and Power in Ancient Egypt: Middle Egypt in the Late Third/Early Second Millennium BC.” Journal of Archaeological Research 25, no. 2 (2017): 87-132.

[5] Darnell, John Coleman, and Deborah Darnell. “New inscriptions of the late first intermediate period from the Theban western desert and the beginnings of the northern expansion of the eleventh dynasty.” Journal of Near Eastern Studies 56, no. 4 (1997): 241-258.

[6] Fischer, Henry G. “An example of Memphite influence in a Theban stela of the Eleventh Dynasty.” Artibus Asiae 22, no. 3 (1959): 240-252.