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The current corporate world does not want to be left behind. In a way, they start a systematic change not on how things operate, but on how to develop them better and efficiently. Different thing have been evolving gradually from simple to a more complex. They become more evident and efficient enhancing high definition end products. All this happens across the board from entertainment industries to the production of the films. As documented that music is like a dream one that it cannot hear. Film as a visual communication which uses moving pictures and sounds chronologically arranged to tell a given event. Film Narrative is a concept play that speaks about something invented which necessarily it’s not true (Donnelly, 72)
The most film uses music as an art to passing important information helping to convince viewers that the unfolding story is real. They entail stories, events that happen on a daily basis. On different incidences, they may hypothesize about future changes which may occur in the society. This essay will focus on how music is a critical element in film production and why it’s mostly used in a film.
Most film and movies have different accompaniment within them. Most compliments are used by film writer to depict different emotions or pass information about a character which viewers may not have imagined off at the start. Music as art or instrumental sounds combined in such a way as to produce beauty of form and harmony and expression of emotions
Earlier in life, the most films were utterly silent, and the inclusion of music in the film production was to stress on valuable information that appeared on the screen. This was illustrated by the moods and events that the writer may at one point wants to pass across. Music tracks are one of several pieces of songs placed together in a compact disk. Director Francis Ford Coppola in the film the conversation uses well-blended music tracks. These are musical recording in a magnetic strip onto which sound can be played when the next show is awaited. Background music is commonly used to relay essential issues within the play (Buhler. et al.82). We have diegetic sounds which are sound whose source is visible on the screen, or the cause is implied to be present by the action of the film and voices of character made by objects in the story. Most dietetics sounds can either be on screen or off screen depending on the source within the frame. On the other hand, we have sounds whose source are neither visible nor has been implied to be present in action. This may include mood music and sound effect added for the dramatic effect.
The issues may at times used to pass key signal without necessarily uttering a single word. The value of soaring musical track scores since our senses are heightened particularly when we get some sounds making us anxious about what is going to happen next. When our level of anxiety goes up, we are in a dilemma on what is supposed to happen next. Big emotions are brought in when music booms out as seen in the film. The end product of film narratives should be showcased to the audience or the industries (The Wizard OF Oz, 1939, Dir Victor fleming ). In film production uses music tracks to play with viewers psychologically making them grilled to the Televisions.
Most music used to comment on certain scenes maybe heroic or sad situation. In some case, the function of music is to say on images and in a way used to depict information in a right direction. For this to be achieved, we can use the music track for example noise of panic in film narratives. We can employ extreme vibration to get the emotional centered to induce fear, anxiety, intense sorrow, and shivering (Stilwell 3).
These sinister tones tell us that something scary is about to happen or that a character who seems friendly is dangerous. Since some sounds are associated with this, it can be used in before a natural disaster and such as storms and earthquake. Moods can be established within no time, and it can be changed. Most music is used to illustrate movement and creating a relationship. For example when it’s a love story, then the music should be sweet soothing and romantic
Film narratives always want to give their product a powerful hit. The sound is a potent tool for storytelling and has a considerable impact on the prose of the story. In this situation, music is used to give an evident heritage of a character entailing geographical background. Different music will be used in for different setup of a film as used in the movie (Shockman Redemption (dir.Frank 1994). When implementing soundtracks musically they must be in layers with different programming to rhyme on the storyline. The rhythmical sound in music is added into the film narrative to create and simulate reality. Sounds are very distinctive since the fact it comes with can be at some point very contradictive. A sudden change from hectic music to silence can be shocking. Few seconds of calm in a dialogue scene can build up anticipation and tension. You don’t usually want complete silence: the necessary background ’ambience’ of the location should usually carry on.
Music, on the other hand, can be used to create contradiction creating a feeling among the viewers that something is not right or show us that something next is about to happen. This plays with the audience psychologically creating a gist of wanting to know more. For example, horror or thriller has sharp music causing increased tension and fear (Bazelon 12).
In conclusion, most film and movies have different accompaniment within them. Most compliments are used by film writer to depict different emotions or pass information about a character which viewers may not have imagined off at the start. Music as art or instrumental sounds combined in such a way as to produce beauty of form and harmony and expression of emotions. This is well arranged by the film producer to avoid monotony and pass crucial information which may is to be captured by the sounds.
Donnelly, Kevin. The spectre of sound: Music in film and television. British Film Institute; University of California Press, 2005.
Buhler, James, David Neumeyer, and Rob Deemer. Hearing the movies: music and sound in film history. New York: Oxford University Press, 2010.
Donnelly, Kevin. Film music: critical approaches. Edinburgh University Press; Continuum, 2001.
Bazelon, Irwin. Knowing the score: Notes on film music. Van Nostrand Reinhold Company, 1975.
Shockmann Redemption,1994 (film) Directed Frank Darabonk USA: Republic Picture
The Wizard OF Oz, 1939(Film)Directed by Victor fleming USA: Republic picture
Stilwell, Robynn J. “11 The Fantastical Gap between Diegetic and Non-diegetic.” (2007).
1. ”Music is like a dream. One that I cannot hear.” ― Ludwig van Beethoven
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