Domon Ken is one of the most famous and greatest Japanese photographers of the 20th century.

Domon Ken is regarded as one of the best and most well-known Japanese photographers of the twentieth century. He was a realism pioneer who was well-known globally for his great works. He was born on October 25, 1990, in Sakata, and died at the age of 80. Domon Ken started drawing at a young age and then developed a passion for portrait photography, concentrating on his documentary and landscape photographic forms. He captured his first photography in the wake of the Hiroshima bombing, which focused on everyday people’s lives and societies. His efforts marked the founding of Japan’s first photography museum, the Ken Domon Museum of Photography, in 1983. The museum became the only photography exhibition hall in the world devoted to one photographer.
He was a prolific contributor to photographic magazines, and some of his famous works included Children of Koto, Children of Chikuho and Hiroshima. In 1958, he received the Minichi Photography Award from the Japan Photo Critics Association. In addition, 1959 showed him win an award of arts from the education ministry and in 1960; he won the Japan Journalist Congress Award. Unfortunately, in 1960 and 1968, he suffered stroke, and despite his confinement to a wheelchair, he did not give up on his photography works. He managed to travel across his country, documenting the Buddhist temples. In 1972, he began photography based on a systematic scholarly approach, and he prefaced his first volume of Koji Junrei. In 1976, he got incapacitated by a third stroke and died in Tokyo, 15th September 1990.

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The first reason why I chose Domon Ken is that he practically did his work with passion. He focused his camera on writers, country children, flower displays and isolated temples, mostly in black and white, hence made a visual delight. He captured photo- realism photographs throughout his career, and that shone Japan to the whole world, evident enough that he was patriotic of his country. Besides, he was ambitious and handled his photography work with creativity and networking skills. In his photography, Domon Ken focused and emphasized on his fascination with the Japanese tradition, industrialization, landscape and materialization. He often exposed the tragic reality of the daily activities of his country. This is evident in his photographic documentation of the Hiroshima aftermath world war. He also clearly depicted the homelessness and poverty of the village children and as such, the world will always remember him.