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The song vocalist portrays four characters: the boy, the narrator, the father, and the Elf king.
On the introduction part, the music is accompanied by the piano whose rhythm is in a singling drive which stimulates horse’s galloping. This is also applied throughout the piece. Basically, the song does not have main melodies because notes rise fast and BUM is repeated severally. The harmony of the song keeps changing between the characters, this is determined by who is singing at the moment. For instance, the harmony between the father, son, and Elf king. For instance, when the son cries out three times calling his father on a high note in line with dissonance. The story in the song is portrayed with a solo voice texture which maintains the same melodic line throughout.
The dynamics of the song are normal until when Elf king beckons in a major key and lures the son away. However, the music is mostly in a minor key and a repeated triplet figure is used to assist in conveying tension. The timbre portrayed in the music is somehow sinister and with dark colors. Before the final line, the piano stops with a perfect authentic tempo.
In order to depict the four characters so clearly with one vocalist, Schubert uses a minor and medium voice to characterize the narrator, the father is portrayed with a low voice range and also in both major and minor modes, the son is portrayed in a very high and a minor voice especially when he cries aloud. For the Elf king, the voice is seductive and soothing, the lines of the character are sung in an easy-going dynamic.
Franz Schubert, Carl Czerny. “Schubert erlkonig.” 1815.
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